Interview - Ressources fournies par Lisa Sniderman (Aoede)

As part of the podcast series, “ArtsAbly in Conversation,” Diane Kolin interviewed Lisa Sniderman, a musical theatre playwright, songwriter, ukelele player, and vocalist known by her artist name, Aoede, living in California.

The face of a white woman with dark hair wearing glasses is displayed on the computer screen of a robot called Lisbot. She dialogues with another white woman with brown hair wearing glasses who sits in a wheelchair, behind her wheelchair are crutches, and a red water bottle is attached to the frame of her wheelchair.
Lisa Sniderman (Lisbot) and Suzanne Richard, Artistic Director, Open Circle Theatre at The Voxel, Baltimore, MD.

This post presents the resources that Lisa Sniderman mentioned during the conversation. The episode will be published soon.

Lisa Sniderman aka Aoede

Lisa Sniderman (Lis) is a multi-award-winning artist and playwright known by her artist name, Aoede. As a disabled artist, Sniderman creates-and often centers characters with illnesses-to express, foster healing, elevate, empower and advocate for people with chronic illnesses and disabilities. She’s been honored with 100+ awards and accolades for songwriting, albums, films, stage plays, spoken word, books, all while battling a rare, disabling autoimmune disease for 16 years: Dermatomyositis and Common Variable Immuno-Deficiency (CVID). Says Sniderman, “Music and art are my lifelines; I just cannot stop creating.” She kept so busy creating, Sniderman admits she forgot to grieve her illness. She has also been homebound many years, missing live theater, and had a vision of bringing live theater to those like her through filmed stage performances, which sparked “The Grieving Project” audiobook. She’s adapting this audiobook to a stage musical to bring live theatrical experiences to chronically ill and disabled communities.

Visit Lisa Sniderman’s website

Watch the “Keep Shining” video

The Grieving Project

The show is rooted in the concept of radical accessibility and using technology along with the guiding principle of breaking down barriers to live theater and community. My team and I have been developing The Grieving Project to bring live, accessible, immersive theatre experiences to those like me who can’t attend live theatre. My vision and concept rely heavily on integrating innovative tech to help create comparable live and virtual theatrical experiences. This includes: projections, immersive audio and digital experiences-e.g, engaging with the show in community with others in a virtual theatre-a virtual space called The Meadow where our audience can interact with a computer-generated environment and other audience members.  Our online audience can come into a virtual theatre in the digital lobby, take a seat in the theatre, and choose their camera angles during a performance like a live audience member would change their gaze, and become a part of the live theatre community.

Visit The Grieving Project’s website

Watch the proof-of-concept video (6 minutes)

Critical Disability Studies (CDS) and the Social Model of Disability

Numerous sources about CDS are available. Here is one form the Critical Disability Studies Collective hosted by University of Minnesota. It answers the following questions: What is Critical Disability Studies (CDS)? Why do CDS? What “counts” as disability? I’m new to thinking about disability as not medical; where do I start? And other related topics.

Visit Critical Disability Studies Collective’s website

RAMPD

RAMPD (Recording Artists and Music Professionals with Disabilities) est une plateforme professionnelle qui dote l'industrie de la musique et du spectacle vivant d'outils, de programmes et de stratégies favorisant l'intégration des personnes handicapées. RAMPD connecte également l'industrie à un répertoire mondial de créateurs de musique/son et de professionnels de l'industrie ayant un handicap, une neurodivergence et d'autres conditions chroniques ou de santé mentale, afin de trouver des sources et d'embaucher - apportant des opportunités compétitives, une visibilité et une communauté à nos membres professionnels tout en offrant l'inclusion du handicap aux partenaires de l'industrie/des lieux de spectacle. La mission du RAMPD est d'amplifier la culture du handicap, de promouvoir l'inclusion équitable et de plaider pour des espaces inclusifs et accessibles dans les industries de la musique et du spectacle vivant. Fondé en mai 2021 (et établi en janvier 2022) par l'artiste primé et activiste culturel Lachi, le RAMPD a vu le jour après qu'une discussion publique entre la Recording Academy et plusieurs artistes handicapés ait révélé le grave manque de visibilité, d'accès et de représentation pour les professionnels de la musique en situation de handicap.

Visitez le site web du RAMPD

Visit Lisa Sniderman’s RAMPD profile

Lachi

Lachi est une auteure-compositrice-interprète, une artiste de tournée, une productrice, une actrice, une auteure, une défenseuse des personnes handicapées et une activiste culturelle basée à New York. La musique de Lachi est souvent décrite comme de la musique pop ou de la musique de danse. Elle est légalement aveugle en raison d'un colobome. Tout au long des années 2021 et 2022, Lachi s'est imposée comme l'une des principales défenseuses des personnes handicapées dans l'industrie musicale, s'exprimant et se produisant dans des lieux tels que la Maison Blanche, les Nations Unies, le Kennedy Center, le Lincoln Center et la BBC, parmi d'autres apparitions notables. Lachi est le fondateur du RAMPD. À partir de 2022, le RAMPD a commencé à travailler en partenariat avec la Recording Academy pour rendre les Grammy Awards plus accessibles : il a travaillé à l'ajout d'une estrade à rampe visible, d'interprètes en langue des signes, de sous-titrage en direct, de description audio, de langue des signes américaine et de rampes d'accès sur le tapis rouge. En février 2024, Lachi a été nommée "Femme de l'année 2024" par USA Today.

Visitez le site web de Lachi